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Severe Outflow by R. Edwards

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Token Participation for a Check Box

October 6, 2026 by tornado Leave a Comment

Overall, I had a great career in research and operational severe-storm and tropical meteorology at NSSL (part time), NHC (full time) then SPC (full time). The great moments far outweigh the bad. I wouldn’t take anything back and have nothing for which to apologize…even my own self-inflicted wounds (lessons learned). Retirement is good.

Yet if I overlook the adverse experiences, and paint it all with beautiful pastels and floral colors as if government meteorology were an ethereal dreamworld, that would be dishonest. If I complain too much, act cynical, and make it look like it was a drag, so would that. Instead, being an old street kid from the big city, I simply keep it real.

In this entry, I offer a story that acts as a lesson more than a lament. In fact, that is the reason that, despite the tone of what follows, I don’t regret it. It is a lesson in knowing when to realize you’re being taken advantage of, and exit stage left with no more wasted time.

INVOLVEMENT: 2011 NWS/SKYWARN SPOTTER’s GUIDE REVISION PROJECT

In the 2010-2011 time frame, the MIC of a small Great Plains WFO, whom I knew for several years via e-mail and product coordination, e-mailed me asking me to be part of an NWS effort to revitalize and update the SKYWARN Spotter’s Guide for storm-spotter training. It already was very late in the recruitment process, and the rest of the group was basically set. Given my extensive and very well-known (within NWS) background in the subject matter, I was a little surprised not to have heard of this effort sooner, and it appeared that I was one of the last (instead of earliest) asked to help, as if an afterthought.

I don’t expect special treatment because of my name, or any of that elitist, “Do you not know who I am?” bullshit artifice that kids of politicians pull to avoid arrest. Nonetheless, I did think that my work to that point as a longtime storm chaser, storm-spotting training participant, damage surveyor, storm photographer, and SPC severe-storms forecaster, had earned more than “afterthought” status. I almost declined, suspecting by the timing that I was a symbolic or “prestigious name” more than truly valued in this.

But I cared and understood too much about the subject matter, with a strong passion for it. That was and probably remains my hook, my vulnerability when asked, the one thing that can make me the easy mark, the one way to get me to say “yes” to something my street sense tells me, “Don’t bother.” That, plus I figured, maybe I’m wrong…despite this group’s being already complete but for my slot, maybe the people involved simply forgot to ask. I guess I’d rather be overlooked or forgotten than an afterthought, but neither is ideal. Though the committee did have a few quaified people, based on credentials, experience and knowledge, it became obvious soon that I was the most-expert expert of that group (nobody better suited was involved, such as either Chuck or Al, nor any of the other handful of highly respected, nationally recognized severe-storm people I knew).

ALARM BELLS IGNORED

When I asked why Chuck wasn’t involved directly, nor solicited, it was because he had a reputation of being “difficult.” [So did Al, but by then he was early in an unwinnable bout with early-onset Alzheimer’s disease that had just accelerated his retirement.] That should have been red flag number two for me, and probably a self-disqualifier. It’s no secret that I won’t tolerate passive-aggressive behavior and stroking of egos for politics’ sake, and I suspect now that it was the reason I wasn’t asked early, but instead late. They wanted “team players” — prevailing business-book parlance for sycophantic yes-men or “go along to get along” types. That innately excludes idealists, or the brutally honest, or people who will challenge a “good enough for government work” mentality, or outside-box innovators. Clearly an SPC involvement was desired by somebody; however, I suppose the few others as qualified at the time (like Rich Thompson) weren’t available or were perceived as equally hard to deal with. So I was asked aboard.

So despite the alarm bells ringing, I cared too much to let this be a crap product. What to do? I skeptically agreed to join in, because I immediately had a lot of ideas about how to do this right, in a modernized way. As it turns out, I overly credited the listening skills of the “servant leader” types on the committee.

My skepticism became justified. The group was weirdly large — over 10 people — at least half of whom I never even heard of, despite being deeply involved in severe-storm science since the mid 1980s. Most of the same half of the members hardly participated — namely the youngest ones and those who ended up as managers but weren’t then — as if they were token names padding their resumes. While the rest of us did good things, it was too many cooks in the stew, and too much involvement by non-severe-storm people — non-experts. I was determined not to be a token name, and to work my fair share and then some.

Still, it simply didn’t take such a big “team” to put out a new Spotters Guide and some internal training material. The one in the mid ‘80s was done by two guys with access to a GSA credit card and a Fort Worth print shop: Chuck Doswell and Al Moller. Al was no less than the father of storm-spotter training. Chuck was a world-renowned severe-storms research expert. As a student, I helped them with selecting slides for training materials. Both became friends, great mentors, massive influences, and scientific colleagues of mine, and that was no secret in our field either. Theirs was a solid, well-written and comprehensive effort for that era (late ’80s into early ’90s), but needed updating after two decades.

Given that the team leader (nice person I won’t name since still a friend, but decidedly not a respected expert in severe-storm science) was a full-on champion of the overextended and often overbearing “servant leadership” craze that took over NWS training in the 2000s, I could tell that the sheer size of this new “team” meant that the most expert voices (mine and one or two others) would be diluted to serve non-experts’ supposed need to be “heard.” More does not mean better! Inclusivity does not guarantee quality, and in fact can detract from it! In a case like this, it means a minority of the committee does most of the work, the rest skate by with only occasional comment, and expertise still gets diluted in the wash. Still I didn’t back out; my dad taught me, “Boy, you have to have honor, and finish what you start.”

DILUTION by INCLUSION: THE SPC “COLLABORATION” EXAMPLE

I already had seen this sort of dilution-by-inclusion game played, in the growing managerial thrust to involve less-expert local WFO forecasters more and more in the SPC outlook process through “collaboration.” To me, other input is fine, as long as it is truly expert in nature. By that, I mean peer-to-peer scientists with comparable specialized experience and earned records of accomplishment. By the very nature of WFO forecast roles (jack of all trades, or general practitioner as a medical analog), such severe-storms specialists are quite uncommon at the WFOs. This is not an insult, but the simple truth. Yet there were some, perhaps a dozen nationwide at most, with whom I could truly converse as a respected peer in this scientific speciality.

Anonymous “collaboration” through chat cannot guarantee that’s who would be on the other end. Odds were, I was dealing instead with a random general-purpose forecaster on the same shift, and sometimes even a raw GS-7 with almost no experience, whose diploma barely had finished drying. We at SPC were hardcore, passionate, deeply experienced, and intensively trained severe-weather specialists: the neurosurgeons of meteorology. I have no problem with general practitioners; they’re needed and extremely valuable, but should not have nearly equal say in the brain operation as the neurosurgeon. That was, however, how “collaboration” was being set up, and how it was expected to go. Its nominal “51% say” did not respect the typically vast chasm in expertise. Yielding to the so-called “local expertise” resulted in far fewer improvements than degradations to the forecast, in my experience, and to their credit at least, sometimes earned “sorry about thats” from the field.

SHIT, MEET FAN

This spotter’s guide project needed professional-quality graphics design. I closely knew someone eager, and if anything, overqualified to contribute. The person nominally charged with design wasn’t going to deliver more than a rather formulaic “good enough.” I could tell. I checked his background in this, and it was, to put it delicately, woefully underwhelming. While the end result stylistically wasn’t bad, thanks to a lot of proofing and revision by others, it could have been far better, at no extra cost and in less time.

Right away, I offered the free and willing services of my wife Elke, herself a storm chaser, photographer, and professional graphics designer, with a then decade-plus portfolio of scientific graphics work in meteorology and engineering, including prior full-time work for Jacobs Engineering in Colorado, figures for peer-reviewed manuscripts in engineering and meteorology, and full websites of renowned atmospheric scientists like Les Lemon, Chuck, Erik Rasmussen, and David Schultz, and moreover, then-new Electronic Journal of Severe Storms Meteorology, with which Chuck, Dave, Erik, Al, Bob Maddox, Jim Johnson, and John Monteverdi were involved in at least early stages. [Erik and Al soon stepped aside for other projects, but supported EJSSM strongly in word and deed.] Those guys were, to use a baseball term, heavy hitters in our science, with demanding standards! They unanimously supported Elke as “the one” to use for scientific graphic arts in their realms. That negates any of my marriage bias.

At the time, nobody in the world, other than Joan O’Bannon of NSSL (who had just retired) had done more professional graphics design for severe-storms science than Elke. My offer of her vastly superior expertise to what was already onboard (ironically also including years-before volunteer artwork for NCAR) was turned down to appease the ego of somebody in NCAR who wanted to mess with that aspect instead. Why would that be? After some remarkably contentious back-and-forth over when seemed to be a highly irrational denial, the project leader admitted not wanting to upset that NCAR person by asking him to forego his role. It was about stupid ego-politics of (and I quote verbatim here) “keeping NCAR on our side,” instead of actual excellence in results. Ridiculous!

RESULT and LESSON

That set the tone for the rest of the project experience. Most of the ideas I offered were, if acknowledged at all, thanked and not used. Passive-aggressively quiet or low-key denials, without reasons, are not the epitome of “servant leadership.” That even included several graphics ideas Elke gave me to pass on to them, regardless. That she had the grace to offer a little of such, despite being rejected early, was revealing in a good way about her grace and benevolence. In fairness, a few of my suggestions in other areas were included (aside from photos), mainly on the writing and proofreading stages, and the product turned out passably. I volunteered commercially valuable photography (some of which I had licensed for paid nonexclusive rights elsewhere) for this, at no cost. [My photography always has been and still remains available to NWS spotter training efforts at no cost other than the effort of letting me know.] It was not an A+ gradeworthy guide like I wanted and this deserved, but the end product was “good enough”. It could have been outstanding, dazzling, sharp, truly professionally designed and organized, and deservedly award-winning.

I didn’t expect to dictate or dominate the project, by any means. Neither did I anticipate having many useful ideas ignored just to let “everyone have a say.” I didn’t foresee at all that world-class expertise in subject-matter graphics would be flatly denied just to appease somebody’s ego.

Other than the photos, I still don’t know why I was on that committee, except maybe to ease access to my and Chuck’s chase imagery, and of course, that someone on high could check an SPC participation box. In the end, the bottom line is that I was the token SPCer. The leader obviously needed to, “Get somebody from SPC on this so it looks more credible,” according to what another participant later told me (who also is a friend today whom I won’t implicate). But it is not how such things should work. Though not for lack of trying, I simply didn’t “Earn my damn keep!” (also as my dad would put it).

Take heed: be willing to say no if your participation appears to be for the sake of marking off someone else’s check box, instead of as a “team” member truly valued and asked to be involved in proportion to your track record and abilities.

    * On behalf of the group, I asked several chasers I knew to contribute photos, and despite his own reservations, Chuck came through with several. All are credited.

Filed Under: Weather AND Not Tagged With: Al Moller, bureaucracy, career reflections, Chuck Doswell, collaboration, committees, ethics, expertise, forecasting, inclusion, leadership, lessons, meteorology, photography, politics, professionalism, quality, science, servant leadership, severe storms, severe weather, spotter education, spotter training, storm chasing, storm observing, storm spotting, storm-spotter training, supercells, weather

Wartime in the Era of Social Media: Watch What You Share!

February 24, 2022 by tornado Leave a Comment

As you’ve likely heard by now, Russian forces have entered Ukraine. One nation’s invading a much smaller, less-powerful neighbor is nothing new historically; it’s happened countless many times. But it is new to the cell-phones/social-media/fake-image era.

Real and bogus images and videos will abound, flooding the internet from true reporters, propaganda bots, and well-meaning but ignorant Uncle Bubbas. Without first-hand knowledge of the situation, you are unlikely to know, with absolute certainty, which is which. You also are likely to overestimate your own ability to judge what is authentic.

This message below is nonpartisan, wise advice right now for all: self-discipline and restraint.

Don’t share emotionally manipulative war images and stories without independent verification — preferably from multiple credible media sources. [Mainline media has been caught sharing fake images hastily before.] Even then, choose prudence over impulse, and wait awhile.

It’s easier for most humans to react with reflexive emotion than self-discipline, restraint, analysis, logic, and reason. We meteorologists have seen this ad nauseam with frequent sharing of old, misdated, manipulated and/or outright fake storm images. Far more is at stake here than some old or fake storm image passed off as yesterday’s event!

War images (real, fake or old) will be shared widely without verifying authenticity — sometimes even by “credible” but duped media. For the sake of all, don’t be the fooled fool.

And for those thirsting for some formally published science on the issue of sharing fake, manipulated and/or misleading imagery, here you go. It really does cause social and psychological damage!

Filed Under: Not weather Tagged With: fakery, media, media ethics, media mistakes, photo fakery, photography, photography ethics, propaganda, self-restraint, social media, war

SkyPix Photography Is in NFT Space

November 14, 2021 by tornado Leave a Comment

I’m now in the world of non-fungible tokens (NFTs)! I have been investing in cryptocurrencies for several years now and understand blockchain technology, so as an art creator using photography, NFTs were a logical leap to make.

Two 15-image OpenSea galleries are fully ready as a start, with plans for more over time from my 35+ year portfolio:

  1. Phenomenal Sky: a collection of storms, sunsets and other sky phenomena, and
  2. Lands and Waters: photography of our outdoor world, subjects large and small

My whole OpenSea SkyPix page is here.

If you deal in NFTs, are interested in doing so, or just curious, check it out, and spread the word! As with physical photo galleries, you don’t have to buy to just look and enjoy.


So for the unfamiliar: What is an NFT? Here’s a simple primer from an IP attorney. For more, read on…

Think of a unique original painting or photo print in a physical art gallery, signed by the artist with a certificate of authenticity. Creating an NFT does this digitally, by means of a “smart contract”, which is a preset program that executes the terms of a digital contract. In this case, it wraps an invisible and unique electronic stamp into the digital image, which can be traced right back to the originator, in theory, forever.

Each NFT is a unique asset, especially if the artist makes only one copy as an NFT, as most do, and as I will. Anyone who buys an NFT of mine will have the only smart-contract certified copy, period — because on the blockchain, it carries a digital signature unique to my work.

Like physical photo prints or paintings, NFTs can be bought, sold and traded by anyone with access to the blockchain (a kind of online commerce network) where it resides. The buyer holds the unique, electronically signed file; the creator retains copyright to the original work. NFTs are “minted” by the creator (or designee) using a service such as OpenSea, Rarible or Mintable. Doing so applies the uniquely identifying digital data to the file, sets the token upon the blockchain for display and trading, and takes a small cut of each sale made using its site.

Proceeds from the first sale of an NFT go mostly to the artist and partly to the display medium. After that, the creator gets a small royalty from each sale of the same asset, as long as the blockchain exists and the creator had set a royalty percentage to receive. In that respect, it’s better for artists than the secondary physical art market, from which the artist gets nothing after the initial sale.

If you buy my tornado print from Jane Doe, I get nothing. Buy it online from Ejane Digidoe, I get a small percentage, no matter how many times it has been bought and sold before. The largest and most stable blockchain for NFTs is Ethereum, which is strongly established and uses the ETH “ether” coin as a payment mechanism. At any time, the artist can cash some ether out of his/her digital ETH wallet to fiat currency such as dollars, euros, yen, or pesos. But to buy and sell NFTs on a blockchain, you have to have a digital wallet containing some of its money, in this case ETH.

An NFT can be a photo, scanned physical painting, digital art of any kind, music, other sound file, animation, or video clip. I create photography, so my NFTs are digital photos. I provide them at a resolution high enough that any buyer can make physical prints for framing and hanging, if they so choose. Other artists send physical prints to buyers of their photo NFTs who want to identify themselves. NFTs can be bought and sold anonymously or by real name. My OpenSea account is under SkyPix, named after my main photographic website that has existed in some form for over a quarter century.

To trade in NFTs (or cryptocurrencies like ETH, bitcoin, XRP, etc.) you need a digital wallet with a reputable and secure online cryptocurrency “bank” app, such as Coinbase, Gatehub, Metamask, and a few others. Setting it all up can be a pain in the butt because these outlets have their own learning curves, often aren’t intuitive to navigate for investors and traders, and have multiple layers of security to wade through (which is good, as they involve e-money!). That usually means proof of identity, a way to wire fiat funds in for conversion to crypto, lengthy “addresses” that are nonsensical strings of characters unique to your “wallet” and that you store in a secure place, and two-factor (or more!) login credentials.

Creating an NFT and putting it on the market is more than just uploading a file and description to a site. It’s a process, a sort of rhythmic dance between the provider (like OpenSea) and the wallet app (like Coinbase) that involves a series of logins and a QR code scan or two as you have a three-way interaction with them. Each needs to make sure the other and you are authentic, each and every time. After doing several, one gets used to the rhythm and knows what step is next. But it’s still a little time-consuming, and you do have to put in time and effort to create NFTs.

Like Mark Cuban, I believe NFTs are the future of art trading, and we today are in on the very early, basic stages of it. I’ve invested ridiculously little for the potential gain involved — nothing I can’t afford to lose (a time-honored, cardinal rule in any venture). If none of them ever sell, I’ll be disappointed, but out only about the cost of a very nice dinner for two.

I must offer great gratitude to fellow photographer DopplerJess (whose work is amazing, if you haven’t seen it) for her encouragement and inspiration.

Filed Under: Photographic Adventures Tagged With: blockchain, ethereum, landscape photography, nature photography, NFT, night photography, non-fungible token, outdoor photography, photography, storm photography, tornado photography, weather photography, wildflower photography, winter photography

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Recent Posts

  • Token Participation for a Check Box
  • Public Access to Public Land
  • Independent Review Needed for Weather Disasters and Warning Verification
  • Socialism vs. Communism
  • Critique of Some Weather AI Slop

Categories

  • Not weather
  • Photographic Adventures
  • Scattershooting
  • Weather
  • Weather AND Not

Archives

Blogroll

  • CanadianTexan
  • Chuck's Chatter
  • Cliff Mass Weather & Climate
  • Digital Photography Review
  • DMN Dallas Cowboys BLOG
  • Dr. Cook's Blog
  • Dr. JimmyC
  • E-journal of Severe Storms Meteorology
  • Eloquent Science
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  • Jack's Cam Wall
  • Jim LaDue View
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